Summary notes created by Deciphr AI
https://youtu.be/0DKCCKWGm-w?si=aZ-9aP235FTRAOsTHosts Lisa and Cameron of the "Swiftly Spoken" podcast delve into the intricate details surrounding Taylor Swift's upcoming album "Midnights," analyzing its lyrical themes and potential sound. They discuss the significance of explicit lyrics, as indicated by the clean version available on Taylor's website, and speculate on the album's length based on vinyl production constraints. Additionally, they ponder the possibility of a retro 70s vibe, inferred from the album's aesthetic and promotional materials. The hosts also address rumors and easter eggs, debunking some while considering others as plausible hints towards the album's content. They contemplate Taylor's recent glamorous public appearances, contrasting with the more subdued and troubled imagery of the album's photoshoots, suggesting a duality in the album's narrative. Lastly, they express their eagerness for a magazine interview that could provide deeper insights into Taylor's creative process and the album's direction.
"Welcome to Swiftly Spoken, a fan-made Taylor Swift podcast in which we break down her lyrics deep dive into full album retrospectives and theorize about what may be coming next."
This quote introduces the podcast's theme and the episode's focus on Taylor Swift's "Midnights" album.
"On Taylor's official site, there is an area where it allows us to access a clean version of the album."
This quote indicates the existence of a clean version of "Midnights," suggesting the standard album contains explicit content.
"According to what we can read on her website, the album is only going to be including one LP which usually standard vinyl only runs to about 44 minutes."
This quote speculates on the potential length of "Midnights" based on the physical format offered on Taylor Swift's website.
"It's interesting that... it is going to be 44 minutes that would probably be one of Taylor's shortest especially recently... it's quite nice to have something that feels a bit more just slightly shorter and it feels a bit more like the original Taylor albums."
This quote reflects the hosts' preference for a shorter album and their anticipation of a more focused selection of songs in "Midnights."
"It's basically confirmed-ish that those tracks are gonna have their own names to them... one theory that I had... is that each track had the date of the midnight it was speaking about as its name."
This quote discusses a theory about the track naming convention and the connection to specific dates or events in Taylor Swift's life.
"The special editions themselves have given us a lot of information as well because they really have added to the aesthetic of the era which has been built up upon through the appearances as well."
This quote highlights how the album's special editions and Taylor Swift's public appearances shape the aesthetic and thematic vibe of the "Midnights" era.
"The last thing that we're going to get is the tracklist and purposefully so... it's the last thing you ever get."
This quote serves as a reminder that official tracklists are usually the final piece of information shared by artists to avoid premature song leaks.
"Yeah the mirror martial's hero is the only one that I could think of from people I know, or I'm a fan of, that have put the track list on the cover because it is an unusual thing to do." "Oh this is what Taylor does. And then she flips and changes it all again." "Oh this hasn't got a uh a like album title or her name." "Now we've got it again it's just a bit. Like. Oh but we've got the tracklist as well as the name with the special editions."
The quotes discuss the rarity of including a track list on the album cover, Taylor Swift's tendency to change her album artwork style, and the return of her name and album title on the cover along with the track list. The notes reflect on the evolution of Taylor Swift's album artwork and how it contrasts with industry norms.
"It's like a fan edit and but people are taking it as like legitimate." "It's interesting though because it's quite cool of what." "It's unfortunate how things on the internet kind of do get spread around very very quickly and then mislabeled."
These quotes discuss how fan-made content can be misconstrued as official, how quickly misinformation can spread online, and the difficulties in distinguishing between legitimate and edited content. The notes highlight the impact of internet rumors on fan perceptions.
"Joe Alwyn, Taylor's boyfriend, um in one of the interviews that he did uh for like promoting Conversation with Friends he said that he collects vintage lighters." "I would love more Taylor and Joe music and I could see that definitely being the case."
The quotes suggest that Taylor Swift's album may include personal nods to her relationship with Joe Alwyn, such as the inclusion of a vintage lighter on the album cover. The notes discuss the possibility of collaboration between the couple on new music.
"I do think we'll get information about collaborators further along the line." "I'm thinking maybe we'll get like a couple of tracks with Aaron and Jack but maybe more of a branching out." "It's interesting whether he is just exclusively Taylor's version or whether she'll kind of bring him on for this now."
These quotes discuss the anticipation of learning more about the album's collaborators, the possible continuation of working with Jack Antonoff and Aaron Dessner, and the potential inclusion of Christopher Rowe. The notes consider how the album's sound may affect the choice of collaborators.
"But uh I do think we'll get information about collaborators further along the line." "It's interesting to note that there is a blood moon this year that is on October the 9th." "The piano in the Jade Green version is rumored to be a Wurlitzer 200 series piano which apparently is from like the 70s."
The quotes address the lack of information about album collaborators, the potential significance of the Blood Moon edition's name in relation to a release date, and the 70s aesthetic clues found in the Jade Green edition. The notes speculate on various aspects of the album's content and marketing strategy based on limited information.
"I always love it when Taylor changes up sound a little bit... I would just really like something a bit different just to see because it's just so interesting to hear Taylor trying out a new sound."
Lisa is expressing her enthusiasm for Taylor Swift's musical experimentation and her anticipation for future projects that showcase a new sound.
"No one can ever say oh she just puts out... because no one can ever say that because you listen to 'Red' that is totally different to '1989' which is totally different to 'Reputation'... they're just all very different."
Lisa is emphasizing the variety in Taylor Swift's music, countering the claim that Swift's songs are all the same or about the same subject matter.
"Taylor was inspired by just the sounds... and you know that the '1989' album doesn't sound like an outdated 80s song, it's on the total opposite, it sounds incredibly modern and fresh."
Cameron is acknowledging Taylor Swift's skill in taking inspiration from previous decades while creating music that feels current and innovative.
"The first one is upon 'This Love's' Taylor's version's obvious release, the Instagram caption... said like 'out at midnight' and midnight itself was kind of spaced like double spaced out."
Lisa points out a specific Instagram caption as a clear easter egg hinting at the "Midnights" album, demonstrating Taylor Swift's method of dropping hints about her music.
"The track 10 cover for 'Fearless' is like a clock, and then the track 10 cover for 'Red Taylor's Version' is a flame... it's just an interesting note."
Lisa and Cameron are discussing whether the imagery used in Taylor Swift's album artwork for track 10 songs could be intentional hints or coincidental choices.
"We have treacherous two headlights shine through the sleepless night... from 'Happiness' we have from the dress I wore at midnight leave it all behind 'All Too Well' gives us because there we are again in the middle of the night."
Lisa and Cameron are listing lyrics from various Taylor Swift songs that mention midnight or late-night themes, illustrating the consistency of these motifs in her music.
"The middle of the night is something that is referenced... it just goes to show you don't always have to speak about something sad that is going on it's keeping you awake... we're gonna get a mix."
This quote indicates that the upcoming music will explore a range of emotions and experiences associated with the middle of the night, not just sadness.
"There's also visuals in the background... cloudy skies with lightning... wet streets with cars... glitter falling... the moon and finally sparklers... everything is very night timey..."
The quote describes the range of night-themed visuals used in the album's promotion, suggesting a cohesive "midnight" aesthetic that may be reflected in the music and videos.
"The numbers were all colored in different colors... the 12 right at the top is completely white."
This quote discusses the color-coded countdown clock on the artist's website, speculating on the significance of the white number 12 and its relation to album editions.
"It's a big contrast... the photo shoot for this era and it's so like devastating... and then you look at her like in all of these appearances and she's glammed out..."
The quote highlights the stark contrast between the artist's glamorous public appearances and the more somber promotional imagery, suggesting a duality that may be present in the album's content.
"I want to see a magazine photo shoot... I really want a profile... I want her to give just a really great... I want something like that that kind of interview."
This quote expresses the fans' desire for more substantial promotional content, such as a detailed magazine feature that could provide further insight into the artist's vision for the album.
"We haven't had a proper roll out for an era in such a long time so we're really reveling in it."
The quote conveys the enthusiasm of fans who are deeply engaged with the promotional campaign for the new album, appreciating the careful planning and teasing of content.