Summary notes created by Deciphr AI
https://youtu.be/8_wAny80WjI?si=i_WAgsslM8v-KtytIn this episode of "13," a Taylor Swift fan podcast, hosts Nick Adams, Anna Z, Amy Nichols, and Lacy G delve into Taylor Swift's anthem "Shake It Off," co-written with Max Martin and Shellback. They discuss the song's impact, including how it caused an actual earthquake during Swift's AOS tour, and its significance as a defiant response to critics and haters. The hosts highlight Swift's own explanation that the song, following a sorrowful track five, is an upbeat "f-you" to detractors, embracing awkwardness and encouraging self-expression through dance. They also touch on the song's broader themes of resilience and self-empowerment, as well as the legal controversy it stirred with a copyright infringement lawsuit by songwriters Sean Hall and Nathan Butler, which was settled after five years. The discussion encapsulates Swift's ability to transform criticism into empowering pop music and the enduring relevance of "Shake It Off" as a symbol of Swift's artistic evolution and personal growth.
"This is 13, a Taylor Swift fan podcast breaking down every song, every Easter egg, every era, and every Theory hosted by the biggest swifties Nick Adams, Anna Z, Amy Nichols, and Lacy G."
The quote introduces the podcast and its hosts, emphasizing their dedication to analyzing Taylor Swift's work.
"Everyone in the world knows 'Shake It Off'... it's so recognizable... it caused an earthquake... that is incredible, that is amazing."
This quote underscores the song's popularity and the physical impact it had during a live performance, causing seismic activity.
"They think that every one of her songs sounds like 'Shake It Off' because 'Shake It Off' is such a glittery gel pen pop song."
The quote reflects on how "Shake It Off" could misrepresent Taylor Swift's musical range to those unfamiliar with her other work.
"I wrote a song called 'Shake It Off'... if you learn to laugh at certain things and not take everything so seriously... I'm having more fun than you."
Taylor Swift explains her strategy for handling criticism by using humor and self-deprecation, which is encapsulated in "Shake It Off."
"1989 was essentially a celebration... I kind of stopped caring... I honestly don't care anymore... life is much better that way."
This quote from Taylor Swift reveals the personal growth that inspired "Shake It Off," highlighting her journey to self-acceptance and carefree living.
"Something about this song... wants this song to get people to get up and dance and it works on all ages."
The hosts discuss the song's power to unite and uplift people, emphasizing its role as an anthem of empowerment and confidence.
"I also have a breakdown of the lawsuit that happened with this song."
This mention of a lawsuit sets the stage for a deeper exploration of the legal challenges faced by "Shake It Off" and its lyrics.
"If you're thinking of starting therapy, give BetterHelp a try... learn to make time for what makes you happy with better help."
The quote promotes BetterHelp as a sponsor and advocates for the benefits of therapy, tying in the theme of self-care which is also present in "Shake It Off."
"All right, so let's get to these lyrics."
This indicates the hosts' intention to delve into the specific lyrics of "Shake It Off," suggesting an in-depth examination is forthcoming.
"I mean this is obviously just like a direct you know response to the haters like we've been saying."
The quote highlights that Swift's lyrics are a direct rebuttal to her critics, showcasing her resilience and ability to use negativity as a source of inspiration for her music.
"She's kicking it off by saying I've got nothing in my brain people are saying that I'm a brain dead idiot and she's out here winning even then we know what she's doing now but even then she was winning and on top of the world and people are saying you're talentless you have nothing there's nothing going on in your brain."
This quote emphasizes Swift's method of confronting criticism head-on in her lyrics, acknowledging what critics say but contrasting it with her actual success and achievements.
"Her music is you know her art her music her lyrics have always just kind of like I find a lot of comfort a lot of support just like in her music when I'm sad I listen to Taylor Swift when I'm happy I listen to Taylor Swift."
This quote captures how Swift's music serves as an emotional anchor for fans, providing support and comfort in both good times and bad.
"Who is Taylor Swift's Taylor Swift and could it even be at this point herself."
The quote poses an intriguing question about Swift's own sources of inspiration and comfort, speculating whether she might find therapeutic value in her own music or songwriting process.
"I always wonder that like who who does Taylor Swift turn to when she like needs like music and art like that and I wonder if it's if it's her own you know or maybe just I mean I guess. songwriting."
The quote reflects on the possibility that Swift may turn to her own songwriting as a source of comfort and inspiration, similar to how her fans turn to her music.
"You don't have to know everything about Taylor Swift to be a fan."
This quote reinforces the idea that Swift's fan base is open and accepting, valuing the connection to her music over extensive knowledge of her career or personal life.
"Taylor Swift needs her own theme park it's like Dollywood Dolly Parton has her own theme park. but you have your all each era has its own land how great would that be put it somewhere in Nashville."
The quote suggests creating a Taylor Swift-themed park with different areas representing her musical eras, highlighting the potential for a physical space dedicated to celebrating her career.
"What would it be called I don't know Swift like Swifty World Swifty world Swift Swifty verse Swifty verse would be good especially if she is Shifting out of the lover house and going into a new Swifty verse."
This quote shows fans brainstorming potential names for a Taylor Swift theme park, illustrating the enthusiasm and creativity of her fan community.
"Nick I kind of feel like Travis Kelsey is like you like he's like a pop girly tall nice beard musly handsome talented pretty loves Taylor known for being the best like top of his game for sure just like our very own Nick Adams."
The quote creates a personal connection between the speaker and Travis Kelce, based on shared characteristics and admiration for Taylor Swift, showing how her music creates bonds among fans.
"Both of the women in our lives are the Breadwinners isn't that great and blond we're kept men that's what it is right and beautiful."
This quote humorously connects the personal lives of the speakers to that of celebrities who are fans of Swift, highlighting the relatability of Swift's appeal across different audiences.
"ack dog Oliver because he's black like an olive that's that's the only reason why I named him Oliver."
This quote explains the simple reasoning behind the naming of Nick Adams' dog, Oliver, based on its color resemblance to an olive.
"Stanley Stanley pup he was named after the Stanley Cup but like the hockey hockey the hockey one this was pre Stanley Stanley Cup."
Nick Adams clarifies that his pet Stanley was named after the Stanley Cup associated with hockey, predating another entity known as Stanley Cup.
"I'm very dehydrated I'm drinking coffee I feel myself talking fast I'm so sorry I need accelerator."
Lacy G expresses her physical state of dehydration and the need to slow down her speech due to the effects of caffeine.
"she's not going to let herself be affected by the hate people are always going to be talking no matter what stage in life she's in no matter what she's going through."
The group interprets that Taylor Swift's lyrics in "Shake It Off" reflect her attitude towards ignoring haters and negativity in her life.
"she said in an interview with rolling stone she said had every part of my life dissected my choices my actions my words my body my style my music when you live your life under that kind of scrutiny you can either let it break you or you can get really good at dodging punches and when one lands you know how to deal with it."
Amy Nichols quotes Taylor Swift from a Rolling Stone interview, highlighting Swift's experience with intense public scrutiny and her coping strategy of resilience and avoidance.
"oh I. I understand the whole course I get everything she's saying but the first line I've always wondered what what players is she talking about she talking about guys who are players?"
Amy Nichols questions the specific reference to "players" in the song, wondering if it relates to men in the dating context.
"she can't she can't hold on to a man because what's the what's the What's the phrase like don't hate the player hate the game."
Nick Adams suggests that "players" might refer to the dating game, where the phrase "don't hate the player, hate the game" is commonly used.
"she's playing the The Dating Game. The Dating Game right like don't hate the player hate the game like."
Anna Z interprets the reference to "players" as a metaphor for Taylor Swift navigating the dating scene as well as the music industry.
"I feel that can also you can also apply that to how she switches genres you know I mean this is 1989 was when she went like full pop."
Amy Nichols points out Taylor Swift's genre-switching abilities, specifically mentioning her pop transition with the album "1989."
"I'mma call it the AAS tour like you damn right."
Lacy G refers to Taylor Swift's ambitious plan to include all her music eras in the AAS Tour, showing Swift's confidence in her artistic choices.
"someone had to do it. gosh you have had way too much coffee I know I do love it in the ARs tour when um the fellow over there with a hella good hair."
Anna Z comments on a specific moment from the AAS Tour, highlighting Taylor Swift's playful acknowledgment of her song lyrics during performances.
"Yes by a group called 3lw do I have that. right um. yeah I have kind of like a SparkNotes version of what happened because this lawsuit that we referred to as the Shake It Off lawsuit of course it's spanned a couple years."
Amy Nichols provides a summary of the lawsuit involving Taylor Swift's "Shake It Off" and the group 3LW, noting its duration and potential influence on Swift's album release strategy.
"In September of 2017 songwriters Sean Hall and Nathan Butler they filed a copyright infringement lawsuit against Taylor Swift big machine records and Sony music publishing and anybody involved in Shake It Off."
This quote explains the initiation of the lawsuit against Taylor Swift by songwriters Sean Hall and Nathan Butler, alleging copyright infringement of their song's lyrics.
"Taylor's lawyers quickly shot back at the lawsuit saying that it was fundamentally flawed and it should be dismissed arguing that the short snippet of lyrics was not creative or unique enough to be covered by copyrights."
The defense from Taylor Swift's legal team is summarized here, stating that the lyrics in question lack the originality required for copyright protection.
"A federal judge agreed with those arguments ruling that American pop culture had been heavily seeped in the concept of players haters and player haters back in 2001 and that no single artist could claim a monopoly on such a concept."
This quote details the initial ruling by a federal judge who dismissed the case based on the argument that the phrases used are too common in American pop culture.
"In 2019 a federal appeals court in the ninth circuit overturned that decision and revived Hall and Butler's lawsuit against Taylor Swift."
The appeal by Hall and Butler led to the reinstatement of the lawsuit, indicating the legal battle was not yet over.
"In December of 2022 Taylor and the two songwriters who claimed that she stole these lyrics to her hit Shake It Off reached an agreement to end the copyright lawsuit."
The final resolution of the lawsuit is mentioned here, with an out-of-court settlement between Taylor Swift and the plaintiffs in December 2022.
"Ed Sheeran was in a similar situation where it came down to a jury deciding if the song that he was being sued for... but he was found not guilty not liable."
This quote draws a parallel between Taylor Swift's and Ed Sheeran's experiences with copyright lawsuits, noting the outcome of Sheeran's case.
"She started re-recording her albums in 2021 or maybe started working on them sooner. But we got the first Fearless Taylor's version in 2021."
The re-recording of Taylor Swift's albums is discussed, highlighting the release of "Fearless (Taylor's Version)" and its significance to the podcast.
"In her initial claims like in 2017 when they first decided to sue her she had released a statement saying something along the lines of like you know when I was growing up... it wasn't like I heard 3LW song and then decided to just like rip it off."
Taylor Swift's response to the lawsuit is recounted here, emphasizing the commonality of the phrases in question during her childhood, which supports her defense against the copyright claim.
"Taking on Taylor Swift is a documentary at it's currently streaming on Amazon on Prime video if you're interested to check it out."
This quote mentions the availability of a documentary on the legal battle involving Taylor Swift, providing context for the extent of public interest in her legal and career moves.
"Candace Ashley Beauty on Tik Tok put this together get ready for reputation Taylor's version y'all the snake is coming out of Exile next week on the 5th."
The hosts discuss a fan theory from TikTok about the potential release of "Reputation (Taylor's Version)," showing the engagement of Swift's fan base with her work.
"She has said there's not going to be why did I just lose it there's no rep there will be no explanation thank you there's. yes thank you there will just be reputation."
This quote captures the speculation around Taylor Swift's cryptic announcements and the anticipation of her next release, "Reputation (Taylor's Version)."
"I saw someone on Tik Tok or Twitter or somewhere say that maybe the reason that she's been throwing up the twos could be because... maybe she's doing era's part two you know like er's Tour Part Two like just changing things up."
Fan theories regarding Taylor Swift's use of symbols and numbers, such as the number two, are discussed, showing the depth of analysis her fans engage in when interpreting her actions and announcements.