Summary notes created by Deciphr AI
https://youtu.be/O7a8YpE8K2o?si=9GJGun1YE-jPHIUuHosts Lisa and Cameron of the "Swiftly Spoken" podcast delve into the anticipation surrounding Taylor Swift's 'Eras Tour,' analyzing setlist predictions, potential mashups, and the likelihood of hearing unreleased tracks live. They discuss three songs—'Anti-Hero,' 'Delicate,' and the 10-minute version of 'All Too Well'—hinted at by Taylor and her team as likely inclusions. Additionally, they speculate on the incorporation of 'Midnights' tracks, with a focus on how previous tour mashups and costume motifs might be reimagined for this career-spanning event. The hosts also express excitement for the tour's surprises and encourage fans to engage with their pre-tour content and share their own predictions.
"hello and welcome to swiftly spoken a fan made Taylor Swift podcast in which we break down her lyrics Deep dive into full album retrospectives and theorize about what may be coming next as always we are your host Lisa and Cameron"
The quote is an introduction to the podcast, outlining its focus on Taylor Swift's music and the hosts' credentials.
"in this episode we're going to be going over everything we know about the era's tour and give our final predictions in terms of set lists mashups remix and midnight songs that might possibly appear"
This quote sets the stage for the episode's content, focusing on the Eras Tour and related predictions.
"so the three that seemingly are confirmed to be on the set list are anti-hero delicate. and. All. Too Well 10 minute version"
This quote lists the three songs that are considered confirmed for the Eras Tour, based on information from Taylor Swift and her team.
"now Taylor Nation are to be taken with a grain of salt because yes they are involved with Taylor they are her official team however they are not Taylor and they don't have a say in the set list they may not even know the setlist for all we know"
This quote emphasizes the need for caution when interpreting Taylor Nation's hints about the Eras Tour setlist, as they may not have definitive knowledge of the final selections.
"so Within These sound checks there are many videos going around. so I guess we have to give a spoiler warning in case obviously we've got down to here so spoiler warnings throughout I guess but these ones are the most kind of official so shall we say however in saying that at the same time we've got to be very very wary because a lot of edited videos are going around"
This quote addresses the uncertainty surrounding leaked soundcheck videos and advises caution in regards to their authenticity.
"and the only reason it's kind of branded as an era's tour is because like Taylor has almost coined like previous artists throughout the music kind of industry in history have obviously had very distinct areas Madonna for example kind of Paving the way in terms of Reinventing yourself every single kind of era. but I feel like Taylor like almost coined this concept of an era of it being like this bookend point."
This quote explains that while other artists like Madonna have reinvented themselves, Taylor Swift has taken it a step further by creating distinct "eras" that serve as bookends to phases in her career, which is the basis for the "Era's Tour."
"and it's not my favorite song ever like don't get me wrong. I'm not trying to act like shake it off as the best song ever. but it's fun when you see it live like it is funny when you hear it once exactly and like even when you hear me on like the lover like live in Paris the uh that concert and you and Taylor says like hey kids and everyone show up spelling is fun but yet like no one really likes it."
This quote highlights that even if a song isn't a personal favorite or widely acclaimed, the live performance can still be an enjoyable and memorable experience.
"but we got to trust Taylor especially at this point which we still haven't seen the tour or seen the set list we've got a trust tailor to organize a set list she's good at doing it to include hits hidden gems mix and match of everything slow moments fast moments and give us that kind of roller coastery feel of going through all of her her discography basically"
This quote emphasizes the need for fans to have faith in Taylor Swift's expertise in crafting a setlist that will take them on a journey through her music, incorporating various tempos and styles.
"and I think that it is exactly because of what you said we were all starving for content. and it's coming very soon um so you know two days away from when this this episode will be out so that's very exciting and hopefully all of our all of our question marks over the whole thing will be cleared up in a couple of days time"
This quote acknowledges the anticipation and desire for information leading up to the tour, suggesting that fans' questions and uncertainties will soon be addressed as the tour start date approaches.
"so but from midnights itself I couldn't say that I think three or four are definitely confirmed for example anti-hero is gonna be there. yeah. Bejeweled. yep I'd like to say karma and other than that lavender. Haze. I guess because. yeah. yeah. and I think those are the ones that are most confirmed in my head."
This quote predicts that select songs from the Midnights album are almost certain to be included in the tour, highlighting the importance of promoting the latest work while also considering the format of the "Era's Tour."
I think maybe the most realistic one for me appearing is like the Great War.
The quote reflects Lisa's opinion that "Great War" is a likely choice for inclusion in the concert, suggesting it would fit well within the artist's repertoire.
I feel like the the 3am Edition is a good addition a good um group of songs to be surprised. [...] a higher Fidelity has got to be played on April.
Lisa expresses her enthusiasm for the 3am Edition songs and the anticipation for "Higher Fidelity" to be played on a specific date, highlighting the strategic planning of the setlist.
Then yeah things like that but glitch again we've gone back to glitch where Taylor Nation had mentioned it and apparently Honestly though so it would be kind of cool that pause it kind of reminds me of the dress pause the dress balls.
Lisa correlates the song "Glitch" with the potential for impactful stage production, comparing it to a memorable moment in "Dress" and suggesting a creative use of lighting to enhance the experience.
And then there's other ones like maybe on a piano section we might get sweet nothing. [...] so this is something that she could definitely like you just said midnight rain that could be made into a piano version that would be absolutely amazing.
The speakers express their excitement about the potential for piano versions of songs, highlighting Taylor Swift's talent for reimagining her music for live performances.
And I think in terms of match-ups matchups and stuff have been something that have basically been a thing since Taylor first started like right from kind of feeler songs were changed up mashed up and given kind of new production.
Cameron reflects on the tradition of Taylor Swift's creative mashups and the evolution of her live arrangements, indicating that this is a long-standing element of her performances.
So I remember one day I just kind of had an epiphany um with red maroon and. daylight. [...] I just think with like midnights the kind of whole concept of midnights was like going back um through like previous midnight containers career and through her life sorry and kind of looking at it from A New Perspective and writing from that perspective.
Lisa shares her epiphany for a mashup that would symbolically traverse Taylor Swift's career, linking past works to the present and showcasing thematic continuity.
And so I feel like for me we will see a lot of them and the one that I'd really really really love to see is questioning Out of the Woods like it was literally created to be mashed up like out of the woods is featured at the start like it couldn't be more obvious.
Lisa expresses her anticipation for a mashup between "Questioning" and "Out of the Woods," pointing out their inherent compatibility for a live mashup arrangement.
Yeah like I'm just a girl trying to find a place. and then she's like well I'm sorry. but you're on your own.
Cameron and Lisa discuss how acoustic mashups could emotionally connect songs from different periods of Taylor Swift's career, creating poignant moments for the audience.
I also think yes a lot of people would love to hear uh vigilante with I did something bad.
Lisa and Cameron explore the idea of combining "Vigilante" with tracks from the "Reputation" album, considering fan suggestions and their preferences based on thematic and sonic similarities.
And so do I including things like the what we mentioned the style love story you belong with me especially that love story.
Cameron and Lisa reminisce about iconic mashups, pondering their potential return and the balance between nostalgia and innovation for the upcoming tour.
"Taylor obviously has most of her kind of iconic outfits all kind of stored away in storage and kind of you know brings them back out again when they're needed for certain things like music videos and commercials."
This quote emphasizes that Taylor Swift retains her iconic outfits and has a history of reusing them for new projects, suggesting a possibility of their reappearance during the Eras Tour.
"I'd like to see kind of that period of time... reimagined and mixed up to fit Taylor I reimagined a bit."
The speaker expresses a preference for updated versions of Taylor's past costumes that reflect her current style, indicating fans' interest in both nostalgia and evolution.
"It's very strange to see the Recreations with her 2023 hairstyle because obviously on a tour the hairstyles aren't going to be changed up like she can't put on a short hair wig and then quickly go and change to a long hair wig."
This quote highlights the difficulty of accurately recreating past era looks within the constraints of a live performance, especially when it comes to hairstyles.
"The hairstyle is part of the alcoholic iconic element of that outfit and that's one thing that's one thing with like the reason why Taylor has kind of era has become such a kind of significant part of her career is because the hairstyle changes and the aesthetic changes."
The speaker points out the importance of hairstyles in defining the distinctive aesthetic of each of Taylor Swift's musical eras.
"And I do love it when she wears references previous eras."
The speaker appreciates when Taylor Swift acknowledges her past eras, indicating that fans enjoy connections to previous work.
"I would love love love those to make an appearance because the guitars are also something that's so iconic with certain eras definitely."
This quote expresses a specific desire for the return of iconic guitars associated with Taylor's past eras, underscoring the importance of musical instruments in her stage aesthetic.
"I think what I'm going to do is definitely kind of write down the big ones that we've been discussing and kind of make like a bingo card."
The speaker suggests creating a bingo card as a fun way to engage with fan predictions and see which ones materialize during the tour.
"We are so lucky, really it's a fandom that people are so open to share because I know you know some some Founders and stuff are very much like no you know."
This quote reflects on the sharing culture within the Taylor Swift fan community, appreciating the openness and excitement that comes with sharing tour experiences.
"And if you have enjoyed it make sure that you follow us over on Instagram absolutely spoken podcast to find out when we're releasing new episodes also um like and rate us over on Spotify and apple podcasts as well as subscribe and like our videos over on YouTube."
The speakers encourage listeners to engage with their podcast across various platforms, emphasizing the importance of community interaction and support.
"And we will see you in our next episode."
The closing remark signifies the end of the episode and the continuation of the conversation in future podcasts, maintaining the connection with the audience.